Angie Dickinson homage as Feathers in Rio Bravo Old Tucson Arizona 1968 Acrylic Print
Product Details
Angie Dickinson homage as Feathers in Rio Bravo Old Tucson Arizona 1968 acrylic print by David Lee Guss. Bring your artwork to life with the stylish lines and added depth of an acrylic print. Your image gets printed directly onto the back of a 1/4" thick sheet of clear acrylic. The high gloss of the acrylic sheet complements the rich colors of any image to produce stunning results. Two different mounting options are available, see below.
Design Details
Angie Dickinson's finest hour is as Feathers in director Howard Hawks' and Duke Wayne's answer, Rio Bravo (1959), to their abhorrence of High Noon... more
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3 - 4 business days
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About Acrylic Prints
Mounting Option #1
Mounting Option #2
Bring your artwork to life with the stylish lines and added depth of an acrylic print. Your image gets printed directly onto the back of a 1/4" thick sheet of clear acrylic.
The image is the art - it doesn't get any cleaner than that!
All acrylic prints ship within 3 - 4 business days and arrive "ready to hang" with four aluminum mounting posts (Option #1) or hanging wire (Option #2).
The high gloss of the acrylic sheet complements the rich colors of any image to produce stunning results.
There are two different ways to mount your acrylic print.
Option #1 (Mounting Posts) - Attach your print to your wall with four aluminum mounting posts. The cylindrical cap of each mounting post can be removed, allowing you to thread a small screw along the center axis of the of post and into the wall. When you're finished, simply reattached each cap, and you're done. The mounting posts act as stand-offs and keep your print separated from the wall by 1". All of the required mounting hardware (i.e. posts, screws, and wall anchors) is included with your print. Click here for mounting details.
Option #2 (Hanging Wire) - With this option, your acrylic print is attached to a 1/4" thick black board which has a wooden frame and hanging wire attached to the back. There are no metal mounting posts at the corners. Simply put a nail in your wall, hang your print from the hanging wire, and you're done. Due to the thickness of the black board and mounting frame, your print is separated from the wall by 1.50" Click here for mounting details.
Acrylic Print Reviews (1996)
Average Rating (4.77 Stars):
Crystal Stump
April 15th, 2024
I am so pleased with the photograph. It captures what I saw during my visit to Sedona perfectly! I especially loved the ease in hanging this art.
Dale Feinberg
March 29th, 2024
Great
MELISSA FONTENETTE-MITCHELL
March 28th, 2024
PLEASE HAVE ITEMS TO BE SHIPPED AND DELIVERED NO LATER THAN APRIL 8TH
MELISSA FONTENETTE-MITCHELL
March 28th, 2024
PLEASE HAVE ITEMS TO BE SHIPPED AND DELIVERED NO LATER THAN APRIL 8TH
MELISSA FONTENETTE-MITCHELL
March 28th, 2024
PLEASE HAVE ITEMS TO BE SHIPPED AND DELIVERED NO LATER THAN APRIL 8TH
Tracy Arina
March 25th, 2024
I ordered 5 large pieces of local Bentonville, Arkansas acrylic art for a client from Gregory. His response time is good and the product is well made. But the art itself... stunning. I will definitely buy more from him again!!
Artist's Description
Angie Dickinson's finest hour is as "Feathers" in director Howard Hawks' and Duke Wayne's answer, "Rio Bravo" (1959), to their abhorrence of "High Noon" (1952).
The role was patterned after Lauren Bacall's "Slim" in Hawks' 1944 "To Have and Have Not." Both it and "Rio Bravo" were penned by veteran screenwriter Jules Furthman (1888-1966). "Rio Bravo" was his last film.
He started in silent motion pictures in 1915 and went on to write such classics as "Morocco," "Shanghai Express," "Mutiny On the Bounty." "Only Angel's Have Wings," and the two film noirs, "The Big Sleep," and "Nightmare Alley." He collaborated often with Josef von Sternberg (1894-1969) and Howard Hawks.
Angie is a brunette in "Bravo." She later became a blond of various shades.
http://www.youtube.com/watch?v=_CUAfjusBu0
@2009 David Lee Guss Film homage, Angie Dickinson as "Feathers," Young Billy Young, Old Tucson, AZ, 1968-2009
About David Lee Guss
I first became obsessed with photography and motion pictures while growing up in post WW2 Manila in the Philippine Islands in the late 1940's/early 1950's. Film noirs were a particular influence. But my first love remains the theater. I acted in numerous amateur productions from 1958 to 1978. In 1979 I earned a MA in drama from the University of Arizona; earlier getting a BA in English from the University of Minnesota, where I co-founded the first film society on campus and ran it for four years. While at the U of A, I studied with the master black and white photo essayist W. Eugene Smith (1918-1978) the last year of his life. I am the last person cited in Jim Hughes' definitive biography of Gene, as I wrote about attending his final...
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Delivery
All acrylic prints ship from our production facility within 3 - 4 business days of your order.
$87.00
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