Walter White Canvas Print

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Bring your artwork to life with the texture and depth of a stretched canvas print.   Your image gets printed on one of our premium canvases and then stretched on a wooden frame of 1.5" x 1.5" stretcher bars (gallery wrap) or 5/8" x 5/8" stretcher bars (museum wrap).   All stretched canvases ship within 3 - 4 business days and arrive "ready to hang" with pre-attached hanging wire, mounting hooks, and nails.

Stretched canvas prints look beautiful with or without frames.

Pixels is one of the largest, most-respected giclee printing companies in the world with over 40 years of experience producing museum-quality prints.   All of our prints are produced on state-of-the-art, professional-grade Epson printers.   We use acid-free papers and canvases with archival inks to guarantee that your prints last a lifetime without fading or loss of color.

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Realistic acrylic painting of Bryan Cranston alias Walter White in Golden Globe Winner Breaking Bad, painted by the Dutch fine artist Paul Meijering

Walter Hartwell White Sr. (also known by his clandestine alias Heisenberg) is a fictional character and the main protagonist of Breaking Bad, portrayed by Bryan Cranston. A graduate of the California Institute of Technology, Walt was once a promising chemist who cofounded the company Gray Matter Technologies with his close friend Elliot Schwartz and his then-girlfriend Gretchen. He left Gray Matter abruptly, selling his shares for $5,000; soon afterward, the company made a fortune, much of it from his research. Walt subsequently moved to Albuquerque, New Mexico, where he became a high school chemistry teacher. The series Breaking Bad begins on Walter's fiftieth birthday, when he is diagnosed with Stage IIIA lung cancer. After this discovery, he resorts to manufacturing methamphetamine and drug dealing to ensure his family's finan...

For almost 33 years now, Paul Meijering has been active with the paint brushes. As a 17- year old inspired youngster he joined the Academy of Arts in Enschede (Holland) in order to receive a native training in drawing- and painting technique. At that time (1980) the tendency of the abstract was running riot, and to his dismay and disappointment Paul found that the trade of the ancient masters was merely 'old hat', the realistic art being disregarded and looked down upon. After two years of useless botchery, there was only one conclusion to draw: "get autodidact, be a self-taught person!" Paul then left the academy to work for a living, but at the back of his mind there always loomed the passion of his life: to paint. At his spare time...

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