The entire body implies movement and emotion, but there are various ways to communicate with just the face as a tool that remain equally forceful. The face contains all the elements of emotion and movement as well as personal history. There are numerous muscles in the face; just five facial muscles provide the possibility for 10,000 variations of emotions and implied movements. I use the face for an articulation of a subtle, yet distinct emotion and slight movement. The stories that are being told have only the wrinkles and scars as a guide; it becomes a map and a history of...more