I began illustrating, sketching and painting covers for recording company labels and concert halls, churches and corporate report covers in the 70s. My more notable sketches adorned gallery backdrops at the Institute of Contemporary Art-Boston for my late-70s concert series featuring Pulitzer and other award-winning composers in hallowed spaces. Twenty-five years later, when my literary, film and music clients at Colossal Concepts Management - www.colossalconcepts.org - began needing conceptual works for their monographs, special presentations and publications, I applied my painting and graphic arts...more