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by Konnie Kim
$33.00
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Product Details
Our Bella / Canvas t-shirts are made from a 50% cotton / 50% polyester blend and are available in five different sizes. All t-shirts are machine washable.
Design Details
My paintings are based on studies I painted on location and photographs I captured while traveling and wandering in nature.
The painting was... more
Ships Within
1 - 2 business days
Average Rating (4.34 Stars):
Suzanne Hale
April 19th, 2024
Very original shirt, lots of compliments- great fit.
Dana Frederickson
April 19th, 2024
This is an excellent t-shirt! An excellent view of an SAS Connect Airbus A320-251N coming in for a landing! I especially wanted to buy this t-shirt because I am of Swedish descent! Excellent photography and artwork!
Dana Frederickson
April 19th, 2024
This is an excellent t-shirt! An excellent view of a P I A Boeing 777 coming in for a landing! The t-shirt came out great! Excellent photography and artwork!
Dean Will
April 18th, 2024
Very pleased with the item!! But wrong color.
Simon Brown
April 13th, 2024
Great but Jaws fans saying it's spelt Pippit
Nope Nah
April 10th, 2024
Super high quality print, very happy with my purchase !!
My paintings are based on studies I painted on location and photographs I captured while traveling and wandering in nature.
The painting was created using professional quality oil paints on a 100% cotton canvas panel. It is signed and comes with signed Certificate of Authenticity. The painting is sold unframed. It will easily fit into a standard size frame (U.S.) It will be carefully packaged and shipped to you via a reputable courier.
Please feel free to contact me if you have any questions. Thank you for your interest in my work.
THE ARTIST Inspired by nature, real and imagined, Konnie Kim paints in bold and radiant colors. She is drawn to many works of the Fauves and the Impressionists. She is also fascinated by the honesty and spontaneity of children's art. Her calligraphic brush strokes and interesting use of colors are what the collectors love about Konnie's work. Konnie's earlier work reflects her curious personality. She has explored almost all available medium and styles of fine art and graphic design. At the age of 19 she realized her first commercial success with licensed illustrations for a manufacturer and she is currently licensed with others. While in college she coordinated fine art shows in traditional and non-traditional settings for herself and...
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$33.00
Bruce Combs - REACH BEYOND
Hi, Konnie! Wow! I love this one, and lots of your work, Konnie! Really surrealistic (nicely so!) here! Toast and the Tower! Where are all the viewers and comments that I think this deserves? Nice employment of the diagonal square linesshapes and the seemingly solid-color hues on the fade-away ground level versus such fine subtle fading from horizon's light into darker blue sky. How successfully "placed" there, the "other" tower, spot-lighted by the light part of sky. My eyes werestill are, drawn right back to it, past the almost impertinent interruption of the roughly 3/4ths of straight-lined rectangularity. But then, coming back I begin to notice the buildings and streets from there to here and they all are very un-Parisienne -- reminding me of "quanset huts!" and railroad box cars! And the "toast"-- sliced loves of "American-like" shape, and still rowed up as if just now machine-cut, pea-green (yuck!) bread ("What's the best thing since sliced . . .?"). It's militarily lined up with the rest of the ground level. BUT especially noticeable in the obtrusive "gross" foreground, hey, one leg of this uninteresting tower stands bridging two of the bases, and only then after that do I begin taking more notice of the blatant, in-my-face foreground: this monstrous tower and the surroundings, well, all of it! Entirely deserted of any "humanity." The tower is absolutely empty -- you can see the city right through the windows! And it's all plain! No decorative wrought iron designs! The only curves visible in the painting: the toast tops, and the similarly shaped opening between the tower's bottom-level legs that expose a bit of a funny little bread-shaped structure. It's orange, the brightest touch of color in the painting served to bounce me back to the dingier orange of the roof top. Oh, my goodness! This Tower and the toast are on a (flat) roof top! It appears to end behind the tower leg! The rest of what we see is a level below it! And what appear to me to become traditional roof-top sky light windows, morphing thus where the tower's leg partially rests on one. Thanks a pocket full of rainbows, Konnie. Have a great weekent and keep painting. Peace, etc., Bruce
Konnie Kim replied:
Wow! What a comment!